“Interpretation of the film is open to everyone with the emblematic end quote from Nietzsche’s Zarathustra. It could represent the end of something, a transformation, a cycle, a re-evaluation of established values, the beginning of something new, or just something mysterious or fascinating to look at.
“Everything in this film is intended to be simple and essential with much care taken on the details and photography. Black backgrounds, one moving light source for every statue, basic editing – letting the sculptures speak for themselves in light and darkness.
“3Ds Max and V-Ray have been used for the production. All the texturing has been done with Substance Painter. All the fragmentations and dynamic simulations have been created with RayFire, a fantastic plugin for 3ds Max developed by Mir Vadim.
Les Dieux Changeants Short Film Lucio Arese | STASH MAGAZINE
Les Dieux Changeants Short Film Lucio Arese | STASH MAGAZINE
“Chopin’s Nocturne op. 27 no. 2 is the musical counterpart of the short film. Its intimate sweet melancholy opposed to the kinetic brutality of the statues disgregating creates a contrast that gives force and delicacy, primitive energy and decadence at the same time.”
 
Les Dieux Changeants Short Film Lucio Arese | STASH MAGAZINE
Lucio Arese in Cúneo, Italy: “Started as a series of technical tests and dynamic simulations involving fragmentation of 3D objects, the project has grown and in the end became an experimental short film with a philosophical significance.
Les Dieux Changeants Short Film Lucio Arese | STASH MAGAZINE
 
Director/animator: Lucio Arese
Posted on Tuesday, November 23, 2021 · Leave a Comment 
Music: Chopin “Nocturne op. 27 no. 2”
“The development took place during the second Covid-19 winter lockdown in Italy.
Les Dieux Changeants Short Film Lucio Arese | STASH MAGAZINE

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